13 Mile Long Crop Circle-Like Formation Found In Oregon http://bit.ly/1RWRRau
13.3 miles of lines were carved into a dry-lake bed in Oregon. What was discovered looked like a Crop Circle in the middle of the Desert… A perfect “Sri Yantra Mandala Formation”.
This ancient symbol was so precise it was flawless… Each line was 10 inches wide and 3 inches deep carved into extremely hard compact dirt that is very difficult to dig in… No cars where seen for miles, no tire tracks were seen for miles… No footprints were seen at the site or anywhere around it… No apparent signs of tools were used… And no one was seen in the area… I don’t see any dirt from the 13.3 mile long 10 inch wide hole that was carved into the desert at a depth of 3 inches… There must have been a lot of dirt so it begs the question where is the dirt?
The close up photo of the 4 lines looks clean with no extra dirt laying around outside the ditch that was made from each of these lines being dug out of the desert… This happened on Aug 10, 1990…
More About The Sri Yantra Mandala Formation
As you may know, Eastern Oregon was Gifted with the Sri Yantra Mandala Formation in August 1990. It arrived in a dry wilderness lake bed east of Steens Mountain, and consisted of 13.3 MILES of lines, each 10″ wide and scored to a depth of 3 inches in the hardpan.
The graphic below is the Sri Yantra Mandala, and the pattern discovered in the dry earth in Oregon was identical to it in all respects.
Four jokers claimed it – the joke was that they alleged they pulled a ‘garden cultivator’ like a plow for OVER 13 MILES, in an officially designated Wilderness Area, in the August desert heat – where not even cars are permitted. They concocted the story that they hauled all their gear 3/4-mile to the site each day. (It turned out that that was one of many discrepancies in their story, for they’d allegedly told a sergeant from the Air National Guard that their campsite was actually two miles from the Formation.) A second discrepancy: In their initial ‘confession letter’ to the newspaper they wrote that all four of them were hitched up simultaneously to pull the cultivator, but the video shows only two of them attempting to pull it. Another one I found of interest is the apparent major exertion seen to be required to gouge a thin 1/2″-deep line into the earth (as seen in the video) Vs that needed to create a trench 10″ wide and 3″ deep – apparently without effort, according to the same video. (The reason the ‘real’ line was easy to dig out is because it was already there – they had apparently filled in the trench with the soft dirt, and hoped to give the illusion that they were digging the furrow with their plow.) These ‘variations’, as well as various others, stretched my own and others’ credibility well beyond believability. One can reasonably conclude that the only creativity these four expressed was through their over-active imaginations and not through any grand desert artistry.
Interestingly, the skies above the Sri Yantra are regularly used as part of the Idaho Air National Guard’s pilot training area. According to the lieutenant pilot who first spotted the huge Pattern on August 10, no pilots had reported a design-in-progress; the Pattern had simply ‘appeared’ one day…
Various points in the purported ‘documentation’ which those who claimed the Sri Yantra offered were easily picked apart by researchers who subsequently visited the site. I, too, have noted non-sequiturs and blatant manipulation in previous fraudulent ‘Crop Circle documentaries’, manufactured and aired solely to convince an unknowing public that the Circle Phenomenon is not worth serious study. I strongly urge each of you to use critical discernment when evaluating any kind of ‘evidence’ presented by anyone about anything – perhaps most especially so-called ‘expert’ testimony – and especially as regards the Circles.
NO video footage or photographs anywhere document an alleged creation of crop art (alleged man-made patterns) in progress from ground level AND SIMULTANEOUSLY from the air, to confirm that the alleged ‘finished product’ is indeed what the people ‘below’ are alleging to have stomped out in the crop. (Showing people stomping around in the dark, then in the next sequence showing a Formation from the air *does not mean that the aerial is the ‘finished product’ shown in the previous scene*! Through clever and manipulative editing, that is precisely the conclusion the viewer is being ‘set-up’ to accept. It is not, however, the truth … )
The exception to valid video documentation is the Arthur Clarke footage of a 5-petal flower pattern. Although there was no simultaneous aerial documentation, I subsequently visited this crop art and was able to confirm to my own satisfaction that indeed there were no CircleMakers’ Energies within it. (Many have claimed genuine Formations as their own, for *claiming* one is effortless, while stomping one out is a major and potentially seriously risky endeavour. And of course, no one has ever substantiated *how* they ‘made it’, so the statement is simply accepted on a word-of-mouth claim.)
Through personal investigation of the Formations, I’ve discovered that there have been *literally* a mere handful of man-made designs in Wiltshire and Hampshire over the past five years – the great majority of the Formations, including those in the US, have indeed been genuine Gifts. Confirmation of my findings is provided by extensive and meticulous lab analyses here in the States.
But back to Oregon: The four men who claimed it, of course, offered no in-progress proof of their ‘creativity’, but made a feeble attempt in a hastily put-together, poorly thought out video piece to show, through reverse engineering (for the Formation was in fact already on the ground when they arrived on the scene) ‘how they made it’. The problem, as clearly shown in photographs and the video, is that the lines forming the Sri Yantra *already existed* – they extended in front of where they were dragging their ‘plow’ – at the time they were claiming to be in the process of making them!
In one segment of the tape, it appears as though they’d filled in a short section of one ‘genuine’ line then pretended to show how they allegedly scored it into the extremely hard, Sun-baked lake bottom. It was August, and the area was regularly ‘scorched’ under a desert Sun. Researchers who subsequently visited the site noted that the ground was impenetrable below the top 1/4″ of dry, powdery earth. No tire marks at all were present, not even from the alleged ‘cultivator’, although a month later as vehicles drove up to the Formation, the tires of those vehicles’ left 1/4″-deep impressions in the crumbly earth. And never mind asking how these jokers managed precise and perfectly scored lines 10″ wide and 3″ deep, with consistently bevelled sides, for an equivalent distance of over 13 miles, in the August desert heat when they could barely, and with much effort, score a short 1/2″-deep line; and don’t ask how they measured, surveyed, and determined bearings for the Pattern – with its complex integrated perfection of nine interlocking triangles – before they began their alleged plow work. (The Sri Yantra Pattern contains extremely intricate geometrical relationships.) Never mind asking, because they, like all other people who’ve *claimed* the CircleMakers’ Formations, offered no technical explanations.
Perhaps most telling of all, for me, was the segment of footage on which one of the ‘artists’ who claimed it was video-interviewed. While he was answering general questions about his paintings and personal philosophy, he was reasonably animated and made normal eye-contact with his interviewer. In a later segment in which the two of them were walking down a road while continuing the interview, the artist stopped walking when the questioning turned once again to the Sri Yantra, literally bowed his head, and looked down at the ground. All the viewer saw of him was the top of his hat. During the entire conversation about his alleged participation in the construction of it, he never once made eye contact either with the interviewer or the camera, but stared at the ground. I very clearly received the impression that he was painfully aware that ‘his eyes were the windows to his soul’, and he was clearly determined to not let anyone see into either while he was, as was obvious to me, lying.
For additional information on this Sri Yantra Formation, check out Dr. Deardorff’s excellent report in UFO Magazine, volume 6 #3, 1991 (A Symbol on the Oregon Desert).
The Yantra Mandala and OM
According to Vedic philosophy, Om is the primordial sound from which the whole universe was created. All matter resonates at a frequency, a vibration. And it is believed that the vibration/frequency is OM.. It is a sacred sound in Hinduism, Buddhism, Jainism and Sikhism. Om is also know as Omkāra (Aum syllable). It appears at the beginning of most Vedic chants and is said to be the essence of the Vedas.
Beautiful!!! Back to the future… Only now, is man making the machines to measure and confirm what ancient Seers and Mystics have always known. Science still has so much catching up to do..
More information about OM:
OM: The Language Of Light Exposed. Sacred Chant Recorded Inside Of The Great Pyramid
OM: The Language Of Light Exposed. Sacred Chant Recorded Inside Of The Great Pyramid
Source:http://themindunleashed.org/2013/06/13-mile-long-crop-circle-like-formation.html
Another source
Sri Yantra (Chakra) in Alvord Desert, Oregon
Sri Yantra (Chakra) in Alvord Desert Oregon
The Sri Yantra (“sacred instrument“) or Sri Chakra (“sacred wheel“) or Mahameru [3D] is a yantra (instrument or machine) formed by nine interlocking triangles that surround and radiate out from the central (bindu) point, the junction point between the physical universe and its unmanifest source.
On August 10, 1990, Bill Miller, a pilot in the Idaho Air National Guard, noticed a huge etching on a dried-up lake-bed while flying over it, in Oregon State of the United States. The massive formation was a quarter of a mile in width and was etched 3 inches deep into the surface.
In his earlier round about 30 minutes before Miller first noticed the glyph, there had been no trace of this formation. Neither had any of the other pilots of the Idaho National Guard (who regularly train over this corridor), observed any unusual activity or a design-in-process in this area.
The etching simply appeared that morning. There was no possibility of any of the other pilots having missed such a prominent formation in process of being made.
Oregon Sri Yantra 8-10-1990 news article
Lieutenant Bill Miller of the 190th Tactical Reconnaissance Squadron, immediately reported the details of what he had spotted to the authorities at the Air National Guard – a 13.3 mile glyph of lines about a quarter of a mile in width and length, on the extremely hard, sun-baked dry bed of a lake in Mickey Basin located southeast of Steens Mountains in the Alvord Desert, 70 miles away from the city of Burns in Oregon.
The formation detected on the morning of August 10, 1990 was oriented precisely in the North-South direction. The glyph had a machine like precision in its shape and clarity of lines.
After Bill Miller reported the observation, the news was concealed from the public by the authorities for thirty days.
The news hit the media in the United States on 12th September, 1990 when Boise TV station first aired the story. As soon as the story was aired, the glyph was quickly identified as the ancient Hindu meditation device- the Sri Yantra- identical in shape and proportion, and in its geometrical properties. No one had a theory why a pictograph of a complex Hindu meditation yantra should appear in the wilderness of Oregon. The story caught the attention of the media and the viewers alike.
By September 14th, the story was picked up by the Associated Press, Bend Bulletin and the Oregonian. The Oregonian reported that some architects that had been contacted by the newspaper, had said that the cost of conducting a land survey alone, before such a project could be initiated, would range from 75,000 to 100,000 dollars. The Sri Yantra design has a degree of complexity and a level of symmetry that makes it difficult to recreate its design even on paper, let alone furrow an enormous replication of it on a dry lake-bed. There was therefore a good deal of speculation that the glyph was not man-made.
There were other reasons too to support this theory – not the least important of them being the fact that, the shape produced by the lines in this massive Sri Yantra at Oregon, could not be deciphered while standing on the ground. In fact, the shape only made sense when viewed from a height of a few thousand feet above.
In Vedic texts, the Sri Yantra is defined as a device formed by nine interlocking triangles. Four triangles point upward (representing Shiva) overlapping with five downward-pointing triangles (representing Shakti). The triangles are placed in a circle surrounded by the two levels of lotus-petals, which in turn are surrounded by an outer circle and enclosed in a tantra design, serving as a protective cover. As the devotee enters into the Mandala, represented by the Sri Yantra, he leaves behind the worldly distractions and conflicts; and is transported into a world of symbols and visualizations.
The triangles surround and radiate out from a bindu point. The bindu represents the junction point between the physical universe and its un-manifest source. The nine triangles are interlaced in such a way so as to create forty three smaller triangles symbolic of the entire cosmos.
The Sri Yantra is variedly described as a visual representation of the sound ‘Om’ and an expression of the philosophy of ‘Advaita (one-ness or non-duality)‘. The Sri Yantra is popularly used today in India as a meditation device.
Two UFO Researchers, Don Newman and Alan Decker, visited the site on the morning of 15th September and reported that no trace of tire track markings or foot prints were visible anywhere close to the site even though their own station wagon had now left quarter inch deep marks into the hard crust of the surface along the track from where they had approached the formation.
Dr. James Deardorff, a Research Professor Emeritus at the Atmospheric Science Department of Oregon State University and a colleague of Don Newman and Alan Decker, compiled the details of their investigations and forwarded the story to UFO magazine, a British magazine devoted to the subject of unidentified flying objects (UFOs) and extraterrestrial life. The magazine had an international reputation for quality and authenticity and agreed to publish the story which appeared in Volume 6, # 3 in 1991 under the heading, ‘A Symbol on the Oregon Desert’.
Dr. Deardorff wrote in his investigative story that the government had not been able to give a reasonable explanation to the public as to how a glyph of such a large size had made an undetected appearance on a desolate site, which was constantly patrolled by the Idaho National Air Guard. About forty days after the appearance of the glyph, a group of four people, headed by a Bill Witherspoon, claimed that they had etched out the pictograph, over a period of 10 days, by pulling a garden cultivator like a plow over the lakebed. Mr. Witherspoon said that he had used ropes to ensure that the lines were straight and the angles perfect. Dr. Deardorff countered by saying that the story was concocted, and that it was sponsored by the government in its effort to quell the public furor. In all fairness to the government authorities though, it might be added here, that the government was probably acting in what it considers is in the best interest of the general public. The authorities did not want to fuel the belief that the glyph had an unexplained origin.
Bill Witherspoon was interviewed by newspapers to judge the authenticity of his story. Very quickly it became evident that his explanations lacked credibility. The most unconvincing part of his story was his claim that a garden plow, a rope and a blueprint of the formation were enough equipment to furrow out the glyph effortlessly. Bill Witherspoon’s electronic interview revealed other incongruities. For one, he had stated in the newspapers that he and his team had carried their tools for three quarters of a mile to the formation site everyday for 10 days, however in his video interview he said that he and his team had camped out two miles away from the site.
Bill Witherspoon’s team only managed to gouge out a ½ inch deep line with great exertion when they were asked to demonstrate how they had gouged out 13.3 miles of lines, 3 inches deep and 10 inches wide. The line lacked neatness, and, the displaced soil fell unevenly on the two sides of the carved line. No one believed anymore that the original glyph could have been created by using crude tools such as garden plows.
sri yantra diagram (2D)
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Sri Chakra (Yantra) 3D
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